Anna Hughes
A Code of Virtues and Faults Differently Distributed, 2021
glazed stoneware, pewter, plaster, jesmonite, oil paint, steel, dried flowers, dried rapeseed plants, plywood
Anna Hughes
Quarters, 2019
Jesmonite, wire, dried flowers
Lauren Emily Wilson
Sea Fingers, 2020
pastel on paper
Tom Sewell
Field, 2021
willow, paracord, cable ties, section of fence, plastic, cuttlefish bone, stone, pyroplastic, wire, mermaid’s purse, flint, whalebone, driftwood
Joel Wyllie
The Meeting, 2020
ink and pencil on paper in an oak, birch, Stockholm tar frame
Bethan Lloyd Worthington
Nocturne, 2021
slip with manganese dendritic mochaware on stoneware with parian additions and onglaze painting
Bethan Lloyd Worthington
Whoam, 2021
silk and house paint on linen, grain and synthetic filling
Bethan Lloyd Worthington
Circle basket, two arches, 2021
partially glazed stoneware
Bethan Lloyd Worthington
Geard, 2021
partially glazed stoneware with slip, parian, lustres and overglaze painting
Bethan Lloyd Worthington
They might alight on the gloss of algae-ridden cobblestones, 2021
stoneware with chrome, honey and transparent green glaze
Bethan Lloyd Worthington
an electric room, 2021
partially glazed stoneware with slip, transfer, lustres and overglaze painting
Bethan Lloyd Worthington
Heart’s tongue, spoil, 2021
partially glazed stoneware, gold lustre
Bethan Lloyd Worthington
Philip stared at the ground in front of him in a species of trance, 2021
glazed stoneware with marbled slip
Tom Sewell
Mushroom Drawings, 2020
pencil on paper
Abi Freckleton
Two Determined Greens, 2021
grid extruded waste clay with dull-turquoise porcelain slip, high- temperature in-glaze transfer of sky photograph, gold lustre, ash glaze made from photogram of iPhone screen, glaze-in-sand surfaces stained with inks extracted from a screengrab of the final frame of Tacita Dean’s 16mm film The Green Ray
Christopher Mayer
Wreath 1 (Doggerland Study), 2021
lime
Christopher Mayer
Downy Birch 1 (Doggerland Study), 2021,
lime
Lauren Emily Wilson
Untitled series, 2020
salt dough
Joel Wyllie
Capital Punishment, 2020
ink and pencil on paper in an oak, birch, Stockholm tar frame