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Anna Hughes

A Code of Virtues and Faults Differently Distributed, 2021

glazed stoneware, pewter, plaster, jesmonite, oil paint, steel, dried flowers, dried rapeseed plants, plywood

Anna Hughes

Quarters, 2019

Jesmonite, wire, dried flowers

Lauren Emily Wilson

Sea Fingers, 2020

pastel on paper

Tom Sewell

Field, 2021

willow, paracord, cable ties, section of fence, plastic, cuttlefish bone, stone, pyroplastic, wire, mermaid’s purse, flint, whalebone, driftwood

Joel Wyllie

The Meeting, 2020

ink and pencil on paper in an oak, birch, Stockholm tar frame

Bethan Lloyd Worthington

Nocturne, 2021

slip with manganese dendritic mochaware on stoneware with parian additions and onglaze painting

Bethan Lloyd Worthington

Whoam, 2021

silk and house paint on linen, grain and synthetic filling

Bethan Lloyd Worthington

Circle basket, two arches, 2021

partially glazed stoneware

Bethan Lloyd Worthington

Geard, 2021

partially glazed stoneware with slip, parian, lustres and overglaze painting

Bethan Lloyd Worthington

They might alight on the gloss of algae-ridden cobblestones, 2021

stoneware with chrome, honey and transparent green glaze

Bethan Lloyd Worthington

an electric room, 2021

partially glazed stoneware with slip, transfer, lustres and overglaze painting

Bethan Lloyd Worthington

Heart’s tongue, spoil, 2021

partially glazed stoneware, gold lustre

Bethan Lloyd Worthington

Philip stared at the ground in front of him in a species of trance, 2021

glazed stoneware with marbled slip

Tom Sewell

Mushroom Drawings, 2020

pencil on paper

Abi Freckleton

Two Determined Greens, 2021

grid extruded waste clay with dull-turquoise porcelain slip, high- temperature in-glaze transfer of sky photograph, gold lustre, ash glaze made from photogram of iPhone screen, glaze-in-sand surfaces stained with inks extracted from a screengrab of the final frame of Tacita Dean’s 16mm film The Green Ray

Accompanying text

Christopher Mayer

Wreath 1 (Doggerland Study), 2021

lime

Christopher Mayer

Downy Birch 1 (Doggerland Study), 2021,

lime

Lauren Emily Wilson

Untitled series, 2020

salt dough

Joel Wyllie

Capital Punishment, 2020

ink and pencil on paper in an oak, birch, Stockholm tar frame

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