ComeToNaught_Logo.jpg

1/4

1/4

Anna Hughes

A Code of Virtues and Faults Differently Distributed, 2021

glazed stoneware, pewter, plaster, jesmonite, oil paint, steel, dried flowers, dried rapeseed plants, plywood

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kingsgate_ 2

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kingsgate_ 2

1/8

Anna Hughes

Quarters, 2019

Jesmonite, wire, dried flowers

1/2

Lauren Emily Wilson

Sea Fingers, 2020

pastel on paper

1/4

Tom Sewell

Field, 2021

willow, paracord, cable ties, section of fence, plastic, cuttlefish bone, stone, pyroplastic, wire, mermaid’s purse, flint, whalebone, driftwood

1/2

Joel Wyllie

The Meeting, 2020

ink and pencil on paper in an oak, birch, Stockholm tar frame

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1/2

Bethan Lloyd Worthington

Nocturne, 2021

slip with manganese dendritic mochaware on stoneware with parian additions and onglaze painting

1/5

Bethan Lloyd Worthington

Whoam, 2021

silk and house paint on linen, grain and synthetic filling

1/3

Bethan Lloyd Worthington

Circle basket, two arches, 2021

partially glazed stoneware

1/4

Bethan Lloyd Worthington

Geard, 2021

partially glazed stoneware with slip, parian, lustres and overglaze painting

1/3

Bethan Lloyd Worthington

They might alight on the gloss of algae-ridden cobblestones, 2021

stoneware with chrome, honey and transparent green glaze

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kingsgate_ 84

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kingsgate_ 84

1/3

Bethan Lloyd Worthington

an electric room, 2021

partially glazed stoneware with slip, transfer, lustres and overglaze painting

1/4

Bethan Lloyd Worthington

Heart’s tongue, spoil, 2021

partially glazed stoneware, gold lustre

1/3

Bethan Lloyd Worthington

Philip stared at the ground in front of him in a species of trance, 2021

glazed stoneware with marbled slip

1/6

Tom Sewell

Mushroom Drawings, 2020

pencil on paper

1/3

Abi Freckleton

Two Determined Greens, 2021

grid extruded waste clay with dull-turquoise porcelain slip, high- temperature in-glaze transfer of sky photograph, gold lustre, ash glaze made from photogram of iPhone screen, glaze-in-sand surfaces stained with inks extracted from a screengrab of the final frame of Tacita Dean’s 16mm film The Green Ray

Accompanying text

1/2

Christopher Mayer

Wreath 1 (Doggerland Study), 2021

lime

1/2

Christopher Mayer

Downy Birch 1 (Doggerland Study), 2021,

lime

1/2

Lauren Emily Wilson

Untitled series, 2020

salt dough

1/2

Joel Wyllie

Capital Punishment, 2020

ink and pencil on paper in an oak, birch, Stockholm tar frame